The final paper discusses the part of culture that is inevitable for a society. It is the development of all the parts that a society has, most notably groups that oppose rules and certain regulations, and through part of the subculture express personality, affiliation and a particular rebellion. Thus, the notion of subculture already emerges in the early twentieth century within the so-called Chicago school, which focuses research interests on the characteristics of different social groups in an urban context in which one can see how one of the groups functions and what is important to them. The term subculture emerged from patterns of particular youth behavior in the 1950s based on delinquent youth behaviors, gang creation and behavior, and their culture and behavior discourse. With the subsequent development of the subculture, it is not necessary that all groups have always had the aforementioned characteristics, but over time the groups separate and create some others that have their own interests. Each time period has its own course of development, which can be seen through the emergence of different subcultural groups such as: punks, hashomans, rockabilly, fans, darkers and others. It is the music scene that has been and still is the place and center of all events through a particular mode of communication whereby all the mentioned groups come together to share their experiences, interests, pleasures and more. As one can see, every society has its own part of the subculture that is inevitable, it is only a question of how and where it develops or is transmitted among the citizens of a particular part of society.